Category: Selected Project
Inhabiting the ruins
![Inhabiting the ruins 6 RUINS](https://ressanogarcia.com/wp-content/uploads/2021/05/RUINS.jpg)
![Inhabiting the ruins 7 DMF Ressano Garcia Cia Culturas 1 Modelo 1272](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Cia-Culturas-1-Modelo-1272.jpg)
![Inhabiting the ruins 8 PRG COMP DAS](https://ressanogarcia.com/wp-content/uploads/2021/05/PRG_COMP-DAS-CULT_800x600_06.jpg)
![Inhabiting the ruins 9 DMF Ressano Garcia COMPANHIA CULTURAS 0278](https://ressanogarcia.com/wp-content/uploads/2021/02/DMF-Ressano-Garcia-COMPANHIA-CULTURAS-0278.jpg)
![Inhabiting the ruins 10 CompanhiaDasCulturas1416](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1416.jpg)
![Inhabiting the ruins 11 CompanhiaDasCulturas1172](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1172.jpg)
The project has received different designations; rehabilitation, alteration, expansion, transformation, and regeneration. What we value most is the celebration of the place. The first phase was inaugurated in 2007 and the second in 2014. From the first moment, the project aimed to enhance expressions of local culture and use cutting-edge technology to achieve a high level of low energy consumption.
Before intervening, it was necessary to know the place. Realize what materials were used in each period of time. It is common for rural buildings to have been occupied for many generations. Therefore, they often contain an accurate knowledge of geography and local weather conditions. Bad solutions, which must also have existed, have in the meantime been improved or replaced so that buildings or ruins contain in-depth knowledge tested over generations.
![Inhabiting the ruins 12 DSC 0106](https://ressanogarcia.com/wp-content/uploads/2021/05/DSC_0106.jpg)
![Inhabiting the ruins 13 CompanhiaDasCulturas1084 edited](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1084-edited.jpg)
![Inhabiting the ruins 14 CompanhiaDasCulturas2571](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas2571-686x960.jpg)
![Inhabiting the ruins 15 CompanhiaDasCulturas1064 edited](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1064-edited.jpg)
![Inhabiting the ruins 16 CompanhiaDasCulturas1190](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1190-960x640.jpg)
Media Referencing
![Inhabiting the ruins 17 THE TELEGRAPH](https://ressanogarcia.com/wp-content/uploads/2021/05/THE-TELEGRAPH.jpg)
“Set amongst fields of olive trees and wild flowers in the unspoilt eastern Algarve, Companhia das Culturas offers five bedrooms and four apartments housed in a variety of old farm buildings that have been in co-owner Francisco’s family for seven generations. A hammam and yoga studio complete the picture.”
The Telegraph
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![Inhabiting the ruins 18 WALLPAPER](https://ressanogarcia.com/wp-content/uploads/2021/05/WALLPAPER.jpg)
“Imbued with a North African flavour, Companhia das Culturas is a farmhouse in the village of São Bartolomeu, Algarve, restored by Lisbon-based architect Pedro Ressano Garcia. The retreat hosts food and art events, and boasts organic patio gardens with views over rolling olive groves and salt marshes.”
Wallpaper
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![Inhabiting the ruins 19 CUBO](https://ressanogarcia.com/wp-content/uploads/2021/05/CUBO.jpg)
“Partindo da recuperação e refuncionalização de antigos edifícios agrículas mas preservando-lhes a identidade, aqui se criou uma espécie de anti-resort, que se articula com a aldeia em que está integrado: S. Bartolomeu. Valoriza a sombra e o silêncio.”
![Inhabiting the ruins 20 archtizer](https://ressanogarcia.com/wp-content/uploads/2021/05/archtizer.jpg)
“The three R’s policies, reuse, reduce and recycle were integrated at several levels of design. It was intended to reuse the existing walls. They were partially ruined and presented irregular textures, but the concept of reuse was taken integrally and the walls are presented without changes.”
Architizer
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Companhia das Culturas
![Companhia das Culturas 26 COMPANHIA DAS CULTURASs](https://ressanogarcia.com/wp-content/uploads/2021/05/COMPANHIA-DAS-CULTURASs.jpg)
![Companhia das Culturas 27 DMF Ressano Garcia Cia Culturas 2 Modelo 3658](https://ressanogarcia.com/wp-content/uploads/2021/04/DMF-Ressano-Garcia-Cia-Culturas-2-Modelo-3658.jpg)
![Companhia das Culturas 28 rrererererererer](https://ressanogarcia.com/wp-content/uploads/2021/05/rrererererererer.jpg)
![Companhia das Culturas 29 DMF Ressano Garcia Cia Culturas 2 6210](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Cia-Culturas-2-6210.jpg)
![Companhia das Culturas 30 fotomontage 5](https://ressanogarcia.com/wp-content/uploads/2021/05/fotomontage-5.jpg)
![Companhia das Culturas 31 CompanhiaDasCulturas0018 1](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas0018-1.jpg)
![Companhia das Culturas 32 DMF Ressano Garcia Cia Culturas 2 6274](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Cia-Culturas-2-6274.jpg)
![Companhia das Culturas 33 35 47 finished](https://ressanogarcia.com/wp-content/uploads/2021/05/35-47-finished.jpg)
![Companhia das Culturas 34 staicase ovil](https://ressanogarcia.com/wp-content/uploads/2021/05/staicase-ovil.jpg)
The building makes use of low-tech construction systems with local materials, with tech and contemporary materials spread worldwide. Global and local, tradition and innovation found a good balance in this project.
To achieve a reduction of CO2 emissions, local knowledge and high-tech solutions succeed in lowering environmental impact and energy efficiency through a symbiotic relationship between the architecture and the surrounding ecosystem. Whitewashed walls, exposed beams, recycled materials, cross ventilation, water treatment system, use of solar energy, and local solutions are combined in a consistently committed to sustainable design.
Cutting-edge technologies that provide accurate information regarding thermal and lighting comfort influence the use of materials and design strategies in search of optimal behavior. Shading, thermal, and lighting are among the topics that reduce energy consumption.
![Companhia das Culturas 35 huigggt78](https://ressanogarcia.com/wp-content/uploads/2021/05/huigggt78.jpg)
Media Referencing
![Companhia das Culturas 36 111113242344342](https://ressanogarcia.com/wp-content/uploads/2021/05/111113242344342.jpg)
“The contemporary demand for reducing carbon emission is changing the way architects design buildings, thus influencing a wide range of new solutions.”
Forbes
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![Companhia das Culturas 37 111111111111](https://ressanogarcia.com/wp-content/uploads/2021/05/111111111111.jpg)
“Low tech or high tech, local or global, green or comfortable are some of the main aspects supporting the choice for materials in building design”
Materiart
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![Companhia das Culturas 38 holidays](https://ressanogarcia.com/wp-content/uploads/2021/05/holidays.jpg)
“The white facade is characterized by flexible sunshades. Its appearence changes depending on the position of shutters (…) Surprising walls, charming views, old details and vintage furniture form the frame for a sustainable recreation”
Urlaubs Architektur
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![Companhia das Culturas 39 DIVISARE](https://ressanogarcia.com/wp-content/uploads/2021/05/DIVISARE.jpg)
“The intervention integrates features of traditional architecture and intervention characteristics from last century, with contemporary design (…) Construction methods that are driven by principles of sustainability and water supply with recycling capacity are also included in the project.”
Divisare
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Related
Eremitério
![Eremitério 45 ERMITERIO](https://ressanogarcia.com/wp-content/uploads/2021/05/ERMITERIO.jpg)
![Eremitério 46 DMF Ressano Garcia Lawrence Weiner Modelo II 7345](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Lawrence-Weiner-Modelo-II-7345.jpg)
![Eremitério 47 esquisso1 1](https://ressanogarcia.com/wp-content/uploads/2021/07/esquisso1-1-960x531.jpg)
![Eremitério 48 image 1 1](https://ressanogarcia.com/wp-content/uploads/2021/07/image-1-1-960x720.jpg)
![Eremitério 49 DSC 8419](https://ressanogarcia.com/wp-content/uploads/2021/05/DSC_8419.jpg)
![Eremitério 50 80C5ECA1 67E0 4E6B 8512 4B34041F4836 edited](https://ressanogarcia.com/wp-content/uploads/2021/06/80C5ECA1-67E0-4E6B-8512-4B34041F4836-edited.jpeg)
“This micro-museum by Pedro Ressano Garcia, wisely called “eremitério”, suggests to us an alternative grammar of conception and dwelling. It deliberately drives us close to the constant features of a monastic experience. And we realise that “seeing better” leads us to the act of seeing one polysemy, one rituality and one ethic.
Therefore, we somehow only start seeing when we start noticing. And the same applies to contemplation. Contemplation begins when we accept that we do not know how to see, that our vision is limited and poor.”
José Tolentino Mendonça
![Eremitério 51 Copia de DSC 0024B](https://ressanogarcia.com/wp-content/uploads/2021/05/Copia-de-DSC_0024B.jpg)
![Eremitério 52 back 1](https://ressanogarcia.com/wp-content/uploads/2021/07/back-1-960x663.jpg)
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Lote 30
![Lote 30 57 LOTE 30 1](https://ressanogarcia.com/wp-content/uploads/2021/05/LOTE-30-1.jpg)
![Lote 30 58 DSC 0004 2](https://ressanogarcia.com/wp-content/uploads/2021/05/DSC_0004-2.jpg)
![Lote 30 59 sssss](https://ressanogarcia.com/wp-content/uploads/2021/05/sssss.jpg)
![Lote 30 60 3 2](https://ressanogarcia.com/wp-content/uploads/2021/05/3-2.jpg)
![Lote 30 61 PISO 0 1](https://ressanogarcia.com/wp-content/uploads/2021/05/PISO_0-1.jpg)
![Lote 30 62 1 6](https://ressanogarcia.com/wp-content/uploads/2021/05/1-6.jpg)
The entire house settles on the ground floor and is made of various bodies that are functionally divided into three distinct areas; service, social and private areas. Each body is oriented in a way to take advantage of the best sun exposure South/West throughout the year.
The new volumes gently adjust to the site and therefore design a complex geometry. Each of the three bodies has an enclosed courtyard and a confined exterior space facing good solar exposure. “Patios” are imagined with environments for particular uses around the year and are shaped by the specificity of particular functions, such as dining, playroom, spa, the garden of the senses, etc.
![Lote 30 63 picao5](https://ressanogarcia.com/wp-content/uploads/2021/05/picao5.jpg)
![Lote 30 64 2 3](https://ressanogarcia.com/wp-content/uploads/2021/05/2-3.jpg)
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Pré-Pombalino Attic
![Pré-Pombalino Attic 70 SOTAO](https://ressanogarcia.com/wp-content/uploads/2021/05/SOTAO.jpg)
![Pré-Pombalino Attic 71 DMF Ressano Garcia Rua da Vinha Modelo 0198](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Rua-da-Vinha-Modelo-0198.jpg)
![Pré-Pombalino Attic 72 Esquisso](https://ressanogarcia.com/wp-content/uploads/2021/05/Esquisso.jpg)
![Pré-Pombalino Attic 73 DMF Ressano Garcia RUA DA VINHA 7557](https://ressanogarcia.com/wp-content/uploads/2021/02/DMF-Ressano-Garcia-RUA-DA-VINHA-7557.jpg)
![Pré-Pombalino Attic 74 DMF Ressano Garcia RUA DA VINHA 7518](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-RUA-DA-VINHA-7518.jpg)
![Pré-Pombalino Attic 75 DMF Ressano Garcia RUA DA VINHA 7535](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-RUA-DA-VINHA-7535.jpg)
![Pré-Pombalino Attic 76 sssssss](https://ressanogarcia.com/wp-content/uploads/2021/05/sssssss-641x960.jpg)
![Pré-Pombalino Attic 77 3434324](https://ressanogarcia.com/wp-content/uploads/2021/05/3434324-960x809.jpg)
Our proposal seeks that the interior spaces enjoy well-being and comfort to be experienced throughout the year.
In the project we try to explore the natural light that invades the space, varying throughout the day. We orient the light in order to project it in the boxes suspended from the ceiling through the entrance of zenith light. The project foresees the installation of several VELUX windows, including two that simulate a terrace opening to the south.
![Pré-Pombalino Attic 78 DMF Ressano Garcia RUA DA VINHA 7567](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-RUA-DA-VINHA-7567.jpg)
Related
Cultural Park in Laos
![Cultural Park in Laos 83 Laus 2 1](https://ressanogarcia.com/wp-content/uploads/2021/06/Laus-2-1.png)
![Cultural Park in Laos 84 unnayymediii](https://ressanogarcia.com/wp-content/uploads/2021/05/unnayymediii.jpg)
![Cultural Park in Laos 85](https://ressanogarcia.com/wp-content/uploads/2021/05/xsxsxsxsx.jpg)
![Cultural Park in Laos 86 151021 laos ver B 01](https://ressanogarcia.com/wp-content/uploads/2021/05/151021_laos_ver_B_01.jpg)
![Cultural Park in Laos 87 17](https://ressanogarcia.com/wp-content/uploads/2021/06/17.jpg)
![Cultural Park in Laos 88 151028 laos ver B 05](https://ressanogarcia.com/wp-content/uploads/2021/05/151028_laos_ver_B_05.jpg)
![Cultural Park in Laos 89 y44y 1](https://ressanogarcia.com/wp-content/uploads/2021/06/y44y-1-960x595.png)
The Cultural Park of Vientiane, the capital of Laos, is an urban rehabilitation project in an area of 160,000 m² in front of the Mekong river with large trees.
The project commissioned by the municipality and the central government, in partnership with external investors, provides for a new hotel and casino, the reorganization of representative housing for each tribe, and the integration of the existing sacred sites on the site. The refurbishment of the aquatic amusement park, and the creation of a shopping area and casino. On the Riverfront, a pier is inserted for boats to dock.
The project offers a balanced relationship between the cultural/spiritual aspect, the environmental component, and the investment in new equipment.
![Cultural Park in Laos 90 151109 laos ver B loby](https://ressanogarcia.com/wp-content/uploads/2021/05/151109_laos_ver_B_loby.jpg)
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Hammam
![Hammam 96 hama](https://ressanogarcia.com/wp-content/uploads/2021/06/hama.jpg)
![Hammam 97 CROQUI 5](https://ressanogarcia.com/wp-content/uploads/2021/05/CROQUI_5.jpg)
![Hammam 98 CompanhiaDasCulturas1700 1](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1700-1.jpg)
![Hammam 99 CompanhiaDasCulturas1625](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1625.jpg)
![Hammam 100 CompanhiaDasCulturas1799](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1799.jpg)
![Hammam 101 CompanhiaDasCulturas1742](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1742.jpg)
![Hammam 102 CompanhiaDasCulturas1834](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1834.jpg)
Architecture welcomes the mind and the body. The mind can interpret architecture using other tools. The central question is how does it work? Do the senses influence the architect or are the senses amplified by architecture? There is probably no single answer, in Hammam we try to inform the mind about the senses of the body.
Egg-shaped and illuminated by zenith light, the warm room offers a comfortable and introspective atmosphere.
The game of light throughout the day transforms the hammam baths installed in the building and celebrates body care.
![Hammam 103 CompanhiaDasCulturas1847](https://ressanogarcia.com/wp-content/uploads/2021/05/CompanhiaDasCulturas1847.jpg)
![Hammam 104 381](https://ressanogarcia.com/wp-content/uploads/2021/05/381.jpg)
Media Referencing
![Hammam 105 archdaily](https://ressanogarcia.com/wp-content/uploads/2021/05/archdaily.jpg)
“O projecto de um novo hammam nesta região em particular e neste período específico do século XXI é uma afirmação a dois níveis; histórico e geográfico.”
Archdaily
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![Hammam 106 AD](https://ressanogarcia.com/wp-content/uploads/2021/05/AD.jpg)
“Y establece una nueva relación con una práctica perdida hace mucho tiempo, que celebra las costumbres antiguas en un espacio contemporáneo.”
Arquitetura & Diseno
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![Hammam 107 visao](https://ressanogarcia.com/wp-content/uploads/2021/05/visao.jpg)
“The contemporary demand for reducing carbon emission is changing the way architects design buildings, thus influencing a wide range of new solutions.”
![Hammam 108 archELLO](https://ressanogarcia.com/wp-content/uploads/2021/05/archELLO.jpg)
“The new building establishes a relation to a long-lost practice. It opens a new perception where local culture is seen not just within its present context but also related to ancient traditions.”
Archello
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Related
Over the River
![Over the River 114 SOBRE O RIO 1](https://ressanogarcia.com/wp-content/uploads/2021/06/SOBRE-O-RIO-1.jpg)
![Over the River 115 DMF Ressano Garcia Campo das Cebolas Modelo 0162](https://ressanogarcia.com/wp-content/uploads/2021/04/DMF-Ressano-Garcia-Campo-das-Cebolas-Modelo-0162.jpg)
![Over the River 116 11 Cebolas drawing of structure edited](https://ressanogarcia.com/wp-content/uploads/2021/05/11_Cebolas_drawing-of-structure-edited.png)
![Over the River 117 image00001 edited](https://ressanogarcia.com/wp-content/uploads/2021/04/image00001-edited.jpeg)
![Over the River 118 DMF Ressano Garcia Campo das Cebolas 7500](https://ressanogarcia.com/wp-content/uploads/2021/04/DMF-Ressano-Garcia-Campo-das-Cebolas-7500.jpg)
![Over the River 119 DAN7478](https://ressanogarcia.com/wp-content/uploads/2021/04/DAN7478.jpg)
The intervention redesigned the antithesis of what previously existed: the project is mainly focused on creating liveable spaces, characterized by natural light to enhance the comfort of inhabiting new spaces.The new living areas are organized by a complex double height system that reveals part of the ancient wood structure. Here, you can feel the solid structure of wood beams that stabilizes the roof.
The aim was to challenge a contemporary perception that is simultaneously minimal and values local solutions. The sense of place is cheered by specific building solutions that reveal local knowledge and is being tested successfully, on site for centuries.
![Over the River 120 panorama](https://ressanogarcia.com/wp-content/uploads/2021/04/panorama.jpg)
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Voice of the Sea
With architect Pancho Guedes
![Voice of the Sea 126 VOZ](https://ressanogarcia.com/wp-content/uploads/2021/06/VOZ.jpg)
![Voice of the Sea 127 DMF Ressano Garcia Voz do Mar Modelo 9918 2](https://ressanogarcia.com/wp-content/uploads/2021/04/DMF-Ressano-Garcia-Voz-do-Mar-Modelo-9918-2.jpg)
![Voice of the Sea 128 setion promontorio page 0001 edited](https://ressanogarcia.com/wp-content/uploads/2021/04/setion-promontorio_page-0001-edited.jpg)
![Voice of the Sea 129 imagem 2021 02 18 091132](https://ressanogarcia.com/wp-content/uploads/2021/02/imagem_2021-02-18_091132.png)
![Voice of the Sea 130 Picture1](https://ressanogarcia.com/wp-content/uploads/2021/04/Picture1.jpg)
![Voice of the Sea 131 DSC 0091a](https://ressanogarcia.com/wp-content/uploads/2021/04/DSC_0091a.jpg)
Chamber of sound, activated by the tide to listen to the waves of the sea. The circular labyrinth was imagined by the world-famous architect, Pancho Guedes, in what became his last work.
It was initially planned as a temporary intervention in 2010 within the Allgarve contemporary art program. Pedro Ressano Garcia the commissioner at the time was hired in 2015 to upgrade the whole intervention from temporary to permanent.
“The construction of this chamber of sound to listen to the sea reminds us that listening depends on learning to listen in itself, because misunderstandings, overlays, fictions, seem to be increased. Listening demands practice and training.” José Tolentino Mendonça
![Voice of the Sea 132 22222](https://ressanogarcia.com/wp-content/uploads/2021/04/22222.jpg)
Media Referencing
![Voice of the Sea 133 publico](https://ressanogarcia.com/wp-content/uploads/2021/05/publico.jpg)
“The “D” point (of discovery) in Sagres is now called “Voice of the Sea”. The sound, capable of making the gods dream, comes from inside a cave over 50 meters deep. On the surface, a work by the architect Pancho Guedes, in the shape of an ear, is the new landmark in the landscape.”
Público
![Voice of the Sea 134 DIVISARE](https://ressanogarcia.com/wp-content/uploads/2021/05/DIVISARE.jpg)
“The local flora is not interfered by the solution and the site is not invaded by building materials according to the Parque Natural de Sagres e S.
Vicente requirements. (…)”
DIVISARE
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![Voice of the Sea 135 EWEW](https://ressanogarcia.com/wp-content/uploads/2021/05/EWEW.jpg)
“The labyrinth described by José Luis Borges is the topic for the revelation of a powerful experience that challenges our perception of time and space.”
Mimar
![Voice of the Sea 136 ALGARVE](https://ressanogarcia.com/wp-content/uploads/2021/05/ALGARVE.jpg)
“As Pancho Guedes explains, the labyrinth is like life, we can be lost for a while, but we always get there in the end.”
Allgarve’10
Related
Boavista Eco-Resort
![Boavista Eco-Resort 141 BOAVISTA 1](https://ressanogarcia.com/wp-content/uploads/2021/05/BOAVISTA-1.jpg)
![Boavista Eco-Resort 142 DMF Ressano Garcia Herdade Boavista Modelo 9796](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-Herdade-Boavista-Modelo-9796.jpg)
![Boavista Eco-Resort 143 dwadad](https://ressanogarcia.com/wp-content/uploads/2021/05/dwadad.jpg)
![Boavista Eco-Resort 144 back view T3 T3a](https://ressanogarcia.com/wp-content/uploads/2021/04/back-view-T3-T3a.jpg)
![Boavista Eco-Resort 145 last dance](https://ressanogarcia.com/wp-content/uploads/2021/05/last-dance.jpg)
![Boavista Eco-Resort 146 overall view](https://ressanogarcia.com/wp-content/uploads/2021/04/overall-view.jpg)
![Boavista Eco-Resort 147 333333](https://ressanogarcia.com/wp-content/uploads/2021/04/333333.jpg)
![Boavista Eco-Resort 148 06 view teracce T4 edited](https://ressanogarcia.com/wp-content/uploads/2021/05/06_view-teracce-T4-edited.jpg)
The concept seeks to “make the place visible”, inviting the demanding, curious and educated user to “live” every corner of the territory, allowing him to discover the unknown, enjoy the seasons, get to know the local culture and nature that can be discovered and appreciated in its genuine aspects; In a period dominated by fast food and mass tourism, the aim is to implement a counter-culture, that is, a culture of the slow as opposed to the fast and the valorization of the individual and his privacy in opposition to the masses.
The values of this Slow Tourism travel through carefully designed places, providing a deep contact with the timeless character of the landscape where there is still a balance between the presence of man and nature.
![Boavista Eco-Resort 149 28](https://ressanogarcia.com/wp-content/uploads/2021/04/28.jpg)
![Boavista Eco-Resort 150 courtyard01](https://ressanogarcia.com/wp-content/uploads/2021/04/courtyard01.jpg)
![Boavista Eco-Resort 151 DMF Ressano Garcia Herdade Boavista Modelo 3687](https://ressanogarcia.com/wp-content/uploads/2021/04/DMF-Ressano-Garcia-Herdade-Boavista-Modelo-3687.jpg)
Media Referencing
![Boavista Eco-Resort 152 turismo](https://ressanogarcia.com/wp-content/uploads/2021/05/turismo.jpg)
“O aldeamento turístico assenta num projeto de responsabilidade ambiental. Pretende-se desenvolver uma estratégia assente nas energias renováveis e na sua sustentabilidade de recursos hídricos e solares. A utilização das tecnologias, mais avançadas fazem a fusão com as soluções implementadas no lugar de caracter vernacular (…)”
Público
![Boavista Eco-Resort 153](https://ressanogarcia.com/wp-content/uploads/2021/05/expresso.jpg)
“O concelho de Alcácer do Sal, no Alentejo, verá nascer o projeto da Herdade da Boavista e Sampaio, um conjunto urbano e sustentável numa área contígua à unidade de turismo rural Casas do Sal. Trata-se de um aldeamento turístico eco-friendly, com a assinatura do arquiteto Pedro Ressano Garcia, desenhado para usufruir ao máximo da natureza e conviver em paz com o ambiente.”
Expresso
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![Boavista Eco-Resort 154 logo](https://ressanogarcia.com/wp-content/uploads/2021/05/logo.png)
“The project develops a hypothesis based upon the creation of urban centres
designed according to previous existing examples. The central argument is that
energy efficiency and sustainability have been tested for centuries in traditional
dwellings still existing in the region.
Based on these premises the urban layout and architectural typologies merge
new technologies and secular knowledge.”
Sustainable Architecture & Urban Development
![Boavista Eco-Resort 155 ADAD](https://ressanogarcia.com/wp-content/uploads/2021/05/ADAD.jpg)
“Na minha opinião, haverá mais oportunidades no futuro para quem pense e tire partido das suas ideias, nas suas emoções, e respeite a sua intuição. Para o aprendiz de arquitecto, onde me incluo, o importante é aumentar a inteligência. As viagens, as leituras, o conhecimento de outros autores permanece uma enorme fonte de inspiração.”
Wall Street International
Related
The Watching House
![The Watching House 161 CASA DA VIGIA](https://ressanogarcia.com/wp-content/uploads/2021/05/CASA-DA-VIGIA.png)
![The Watching House 162 DMF Ressano Garcia MAQUETAS 0001](https://ressanogarcia.com/wp-content/uploads/2021/05/DMF-Ressano-Garcia-MAQUETAS-0001.jpg)
![The Watching House 163 d edited](https://ressanogarcia.com/wp-content/uploads/2021/06/d-edited.jpg)
![The Watching House 164 DSC 0387](https://ressanogarcia.com/wp-content/uploads/2021/05/DSC_0387.jpg)
![The Watching House 165 4](https://ressanogarcia.com/wp-content/uploads/2021/05/4-679x960.jpg)
![The Watching House 166 top of the stairs](https://ressanogarcia.com/wp-content/uploads/2021/05/top-of-the-stairs-960x640.jpg)
![The Watching House 167 access to the bedroom 1 edited](https://ressanogarcia.com/wp-content/uploads/2021/05/access-to-the-bedroom-1-edited.jpg)
The watching house is a single-family house located in the surroundings of Lisbon – Portugal.
Its proposal is all about inside/outside connections and the play between intimacy and public spaces, using as a privileged ingredient, openings, and natural light.
Established in the center of the village, the house is as a consequence, surrounded by the neighborhood, and submitted to a high and warm solar light exposition.
Multiple stripe lines on the elevations ensure a powerful and expressive character. The little and secretive windows in the facade, offer a diffuse and constant natural light throughout the whole year. The light inside creates a mystic environment while the intimacy of the interior spaces is protected from the outside world.
![The Watching House 168 North west elevation](https://ressanogarcia.com/wp-content/uploads/2021/05/North-west-elevation.jpg)
![The Watching House 169 i](https://ressanogarcia.com/wp-content/uploads/2021/05/i.jpg)
![The Watching House 170 Detail of the north east facade](https://ressanogarcia.com/wp-content/uploads/2021/05/Detail-of-the-north-east-facade.jpg)
Media Referencing
![The Watching House 171 homify](https://ressanogarcia.com/wp-content/uploads/2021/05/homify.jpg)
“The Watching house holds a multiple stripe lines on the elevations that ensure a powerful and expressive character. This is enriched with the combination of two contrasting materials, the white clean facade and the warm rough texture, made with local stones.”
![The Watching House 172 archELLO](https://ressanogarcia.com/wp-content/uploads/2021/05/archELLO.jpg)
“The aim was to ensure a peaceful atmosphere. The prominent wall follows a path that merges the interior of the house with the exterior. The little and secretive windows in the facade, offer a diffuse and constant natural light throughout the whole year.”
Archello
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Serralves House
![Serralves House 178 SERRALVES 2](https://ressanogarcia.com/wp-content/uploads/2021/05/SERRALVES-2.jpg)
![Serralves House 179 DMF Ressano Garcia Serralves Modelo 9816 1](https://ressanogarcia.com/wp-content/uploads/2021/06/DMF-Ressano-Garcia-Serralves-Modelo-9816-1.jpg)
![Serralves House 180 DES27](https://ressanogarcia.com/wp-content/uploads/2021/05/DES27.jpg)
![Serralves House 181 West view shown from the street](https://ressanogarcia.com/wp-content/uploads/2021/05/West-view-shown-from-the-street.jpg)
![Serralves House 182 Detail of the east view](https://ressanogarcia.com/wp-content/uploads/2021/05/Detail-of-the-east-view.jpg)
![Serralves House 183 dining room 2 1 edited](https://ressanogarcia.com/wp-content/uploads/2021/05/dining-room_2-1-edited.jpg)
![Serralves House 184 Space making connection between living room and dining room](https://ressanogarcia.com/wp-content/uploads/2021/05/Space-making-connection-between-living-room-and-dining-room.jpg)
![Serralves House 185 Perspective of the living room and dining room above 1](https://ressanogarcia.com/wp-content/uploads/2021/05/Perspective-of-the-living-room-and-dining-room-above-1.jpg)
The house is located in a long and narrow plot. There was an existing house that was six meters large and twenty long, the new building had to use the same footprint and expanded to three floors. The south elevation faces the street and the north elevation at the back of the house opens up to the garden.
The living and dining rooms overlook the garden through a large window, so the house can be flooded with natural light all day long. The double-height window faces north with a generous opening.
The variation of the sunlight throughout the year is presented by the constant enlightenment that brings a mystic atmosphere gently entering the domestic space.
![Serralves House 186 Living room](https://ressanogarcia.com/wp-content/uploads/2021/05/Living-room.jpg)
![Serralves House 187 dining room](https://ressanogarcia.com/wp-content/uploads/2021/05/dining-room.jpg)
![Serralves House 188 North elevation back of the house](https://ressanogarcia.com/wp-content/uploads/2021/05/North-elevation-back-of-the-house.jpg)
![Serralves House 189 Detail of the east facade](https://ressanogarcia.com/wp-content/uploads/2021/05/Detail-of-the-east-facade.jpg)
![Serralves House 190 View from the terrasse](https://ressanogarcia.com/wp-content/uploads/2021/05/View-from-the-terrasse.jpg)
Media Referencing
![Serralves House 191 sssssssss](https://ressanogarcia.com/wp-content/uploads/2021/05/sssssssss.jpg)
“O projeto começou antes da casa e continua depois da construção do edifício, talvez porque, a minha procura em arquitetura siga dos projetos anteriores para os seguintes.”
Architécti 58
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![Serralves House 192 sqsqsqsq](https://ressanogarcia.com/wp-content/uploads/2021/05/sqsqsqsq.jpg)
“Invention is identified here, as one moment, happening at one shot when an idea or a concept appears”
European Association for Architecture Education
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